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Vishu – An Auspicious Start

A good start is considered as half done. Always an importance is put on beginnings across the globe. In Indian culture, Prayer to God are always offered before the start of any undertaking in order to remove potential obstacles and stresses the importance of beginning things properly, All these offerings symbolises the humble admitting of the limitations of human power and are means of supplicating to the Divine for favorable outcome.

Here in Kerala the start of the Zodic New Year when the sun enters into Sidereal Aries, Ashwini Nakshatra is celebrated as Vishu is observed on the first day of the Malayalam month of Medam (April-May) and is also regarded as the harvest festival of Kerala. The major attractions of Vishu festival are Vishukkani, Vishukaineetam and Vishubhalam. As Vishu marks the first day of the Zodiac New Year, it is an appropriate time to offer prayers to Lord Vishnu. In Indian astrology, Vishnu is seen as the head of Kaala Purusha, the God of Time.

Vishukkani, a ritualistic display which considers that the scene when one first open the eyes on Vishu morning is an indication of what one can expect in the year to come and an effort is made to assure the first scene the Vishukkani in the early morning of Vishu day. Kani literally means “that which is seen first,” While the festival is called “Vishu” only in Kerala, festivals sharing the same spirit such as Ugadhi in Andra Pradesh and in Karnataka, Gudi Padwa in Mahashtra, Bihu in Assam and Baisakhi in Punjab are celebrated around the same time of year across India.

The ritualistic arrangement of Vishukkani includes Akshatam, a mixture of rice and turmeric, which is divided into halves of husked and un-husked rice, is placed in a special bowl called an uruli. Which is traditionally made of panchaloham,(five metals. Auspicious items such as images of Lord Vishnu, the preserver of creation, a well-strached rice cloth pleated fan-like inserted into a brass kindi (a spouted puja vessel used for pouring sacred water) val-kannadi, a special type of mirror with an extremely long and thin handle is also inserted into the kindi and placed in the uruli on top of the rice, flower, fruits and vegetables clothes and gold coins are also displayed.

Bhagavad-Gita should be made part of arrangement. The book is the pramanam the instrument used for attaining the eternal, non-perishable wisdom of the Rishis as well as a symbol of that knowledge itself.

The Nilavilakku, Traditional oil lamp welcomes God into our lives and is also symbolises of spiritual knowledge. Kanikkonna, a golden yellow flower which only blooms in this season is used liberally in vishukkani. Gold coins are the symbols of monetary affluence, as well as cultural and spiritual wealth, which the elders of the family must share freely with the younger generation.

Normally grandmother or mother who arranges the Vishukkani will wake up during the auspicious hour of the Brahma muhurata (4.00 to 6.00 a.m), and light the Nilavilakku (traditional oil-lamp). After waking up rest of the family members and covering their eyes and lead them to take in the auspicious sight. Through Vishukkani the reflection it offers, shows our own face, the pure consciousness that is our true nature reminding us that God is in our mind. The Vishukkani is taken around for the viewing of the elderly and sick who are perhaps too frail to come to the shrine. It is also brought outside and shown to the family cows. As it is brought to the cowshed, it in fact is on display for the birds, the trees, for all of nature to see. After all the members have completed Kani Kanal, it is time for Vishukaineetam. The eldest member of the family starts giving Vishukaineetam to every younger family member. Vishukaineetam is the ritual of given silver coins (in olden days) or money to other members of the family and wishing them that the coming years will be blessed with prosperity and success. In some places, especially in the northern parts of Kerala, children begin to fire crackers on Vishu. Vishukkaineettam, the distribution of wealth, is another aspect of the festival.

Vishukkani points to a year of abundance both spiritually and materially such as everything like light, money, knowledge, Food, which fill our life. Vishukkani is not just a joy comes only to our eyes. It must reflect in our thoughts and actions. The auspicious start of the year which has come to us due to the grace of beginning it with a divine vision is not for us alone. It depends on individuals to spread this love, happiness and hope to rest of the society. The coming vishu will once again remember us that we are not put on this earth for ourselves, but are placed here for each other.

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Thrissur Pooram – Kerala’s spectacular elephant and fireworks festival

Kerala’s most spectacular elephant and fireworks festival, Thrissur Pooram attracts large number of devotees and spectators from all parts of the state, country and other parts of the world as well. Billed as “the festival of festivals”, the annual spectacle comprises processions of caparisoned elephants, orchestra of drums, horns and cymbals, religious ceremonies and fireworks.

Sakthan Thampuran, the Maharaja of the former Kochi State was the pioneer of this festival in the late eighteenth century. The Pooram started with the convergence of processions from eight temples in and around at the famous Vadakkumnathan Temple located on a hillock in the heart of the city. The extensive Thekkinkadu Maidan, en circling the Vadakumnathan temple, is the main venue of the Thrissur Pooram festival.

Since the word pooram literally means a group or a meeting, it was believed that every year the dynastic gods and goddesses of neighbouring province met together for a day of celebration.

The festival is celebrated during April – May by two rival groups representing the two divisions of Thrissur Paramekkavu and Thiruvambadi contesting with each other in making the display of fireworks splendour and more colourful. Each group is allowed to display a maximum of fifteen elephants and all efforts are made by each party to secure the best elephants in South India and the most artistic umbrellas, several kinds of which are raised on the elephants during the display. And then ‘Kudamattam,’ a competition in the swift and rhythmic changing of brightly coloured and sequinned parasols is conducted. The whole event takes place in rhythm to the traditional orchestra ‘ Pandimelam’.

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Champakulam Boat race

The reknowned Champakulam Moolam Boat race is the forerunner of  Kerala backwater snake boat races. Conducted on the sacred and mythological river Pampa at Alappuzha on the Moolam asterism in the month of Midhunam (usually June – July), the Champakulam Moolam Boat race is celebrated as a religious ceremony in commemoration of the day of the installation of the deity at the Ambalappuzha Sree Krishna Temple. 

The Champakulam Moolam boat race, the first to be held in the backwaters during the season, draws a lot of devotees as well as tourists. Rife with the spirit of competition, the vallam Kali folk songs add to the aura of this grand boat race. The origin of the spectacular Champakulam Moolam Boat race goes back to 1545 AD and is a story of the religious tolerance in ancient Kerala.  An idol of Sri Krishna has to be transported through dense bandit infested forests to a newly built temple.  A Syrian Christian and well wisher of the king unhesitatingly sheltered the idol and the persons with all due respect.  Even the Christian family accompanied the idol till it reaches Ambalappuzha. The celebrated Brahmin priest Vilvamangalathu Swamiyar installed it at the temple on the moolam asterism of midhunam. Thus the Champakulam Moolam boat race continues to be held on that day in memory of the incident.

The Christian house where idol had been placed was considered a ‘devasthanam’ or sacred place and was to be specially protected and used only as a place of worship. A lamp known as ‘ Vazhakoombu Vilakku’ made of rare metals was given to the family to be kept at this holy place and even today the lamp is kept burning,  signifying its vital role in the ‘ Moolakazhcha ’ ritual on the day of the boat race.

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